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session_1_-_opening_night [2021/07/21 02:59] – [The Performance] binder | session_1_-_opening_night [2022/06/27 01:45] (current) – [Wednesday, October 17th 1928] binder | ||
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===== Wednesday, October 17th 1928 ===== | ===== Wednesday, October 17th 1928 ===== | ||
- | Our story begins on a dark and chilly evening, with [[Doctor Frederick Bartlett]] - a well-respected psychologist and researcher for the [[Tavistock Clinic]] - having received an invite from [[Michael Gillen]], a former patient and close acquaintance, | + | Our story begins on a dark and chilly evening, with [[Doctor Frederick Bartlett]] - a well-respected psychologist and researcher for the [[Tavistock Clinic]] - having received an invite from [[Michael Gillen]], a former patient and close acquaintance, |
This invitation is not simply a friendly gift, however, rather it is under this pretense that the Doctor is being asked to make an informal assessment of the mental state of the play's author [[Talbot Estus]], Gillen’s companion and housemate. While happy to assist his friend, Bartlett is reluctant to attend such a likely self-absorbed and dearie production alone, and offers his second ticket to his friend [[Captain George Withers]], a career soldier, and veteran of the Great War. | This invitation is not simply a friendly gift, however, rather it is under this pretense that the Doctor is being asked to make an informal assessment of the mental state of the play's author [[Talbot Estus]], Gillen’s companion and housemate. While happy to assist his friend, Bartlett is reluctant to attend such a likely self-absorbed and dearie production alone, and offers his second ticket to his friend [[Captain George Withers]], a career soldier, and veteran of the Great War. | ||
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During the intermission between the two acts the new companions talk: | During the intermission between the two acts the new companions talk: | ||
- | * [[Nathaniel Browne|Nathaniel]] reveals that the play is affecting him deeply, especially the appearance of [[The Yellow Sign]]. | + | * [[Nathaniel Browne|Nathaniel]] reveals that the play is affecting him deeply, especially the appearance of [[The Yellow Sign]]. |
- | * Similarly. [[Andrew Saunders|Andrew]] | + | * Similarly, [[Andrew Saunders|Andrew]] |
- | * [[Captain George Withers|Captain Withers]], on the other hand, seems unimpressed. | + | * [[Captain George Withers|Captain Withers]], on the other hand, seems singularly |
- | * While [[Doctor Frederick Bartlett|Doctor Bartlett]] | + | * [[Doctor Frederick Bartlett|Doctor Bartlett]], however, has more interested in the audience' |
While they are discussing the play, the group overhears a couple talking heatedly about the performance, | While they are discussing the play, the group overhears a couple talking heatedly about the performance, | ||
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[[Michael Gillen]] tells Doctor Bartlett that Talbot Estus seems to have a fear of the stars, as well as a mania for the [[Carcosa, or The Queen and the Stranger|play]], | [[Michael Gillen]] tells Doctor Bartlett that Talbot Estus seems to have a fear of the stars, as well as a mania for the [[Carcosa, or The Queen and the Stranger|play]], | ||
- | The reception breaks up soon after. with Estus having a heated exchange with the [[the_scala_theater|Scala Theatre' | + | The reception breaks up soon after, with Estus having a heated exchange with the [[the_scala_theater|Scala Theatre' |
As the group departs the theatre, arrangements are made by the new acquaintances to meet for lunch that coming weekend. | As the group departs the theatre, arrangements are made by the new acquaintances to meet for lunch that coming weekend. |